UWI.jpg

THE UNIVERSITY OF THE WEST INDIES

ST. AUGUSTINE, TRINIDAD & TOBAGO, WEST INDIES

FACULTY OF ENGINEERING

 

Welcome to the Homepage for

ENGR3000 The Technology of the Steelpan
Course Leader: Prof . B. Copeland, Department of Electrical and Computer Engineering

Semester 2 2009/2010

·         NB: Be sure to reload this page on each visit

·         You will require Adobe Acrobat to read  downloaded files

 

 

Page Contents

Class Bulletins

General Information

Course Overview.. Error! Bookmark not defined.

Course Assessment Error! Bookmark not defined.

Course Delivery. 8

Resources. 10

Student Conduct Error! Bookmark not defined. and WARNINGS .. MUST READ

 

mann_jul2501_04.jpg

Master Tuner Ellie Mannette at work in his studio

 

1          CLASS BULLETINS

11.03.10

Please download the notes for tomorrow’s lecture on Steelpan Technology.

 

 

12.01.10

1.       All students: Check here for important notes, bulletins. 

2.       The first class will be on Thursday 28th 2009 in room 103. Time =4pm.  Here are my lecture notes for tomorrow.

 

2          General Information

Course level:

Level 1, 2, ƒ

 

Semester(s) offered:

I / II / Summer

Course status:

 

r Core  

þ Elective     

r Occasional

 

Delivery mode:

þ Lecture   

r Online

þ Lab

r Other

Credits:

3

 

Estimated total study hours[1]:

10hrs per week on average

Estimated

enrollment:

8 maximum. 

 

 

 

 

 

 

Course Dependencies[2]

Pre-Requisites MATH2032 Eng Mathematics 2 or equivalent. Knowledge of material covered in ECNG 3031 Engineering & Technology for Acoustics & Music, , or MENG 2003 Mechanical Vibrations would be an asset.

 

Recommended prior knowledge and skills[3]:

Upon entering this course, students should be able to:

1.    Demonstrate understanding of signal analysis using Fourier techniques.

2.    Explain the significant aspects of acoustics: how sound is generated and propagated, and existing theories of hearing and sound perception

3.    Define major music parameters such as  tone, timbre, pitch, sound intensity

4.    Describe and explain the tempered and Pythagorean scales used in Western Music

5.    Explain the physics of the following classes of acoustic instruments: wind, string and percussive (including the pan).

6.    Have a good grasp of Engineering Mathematics up to the equivalent of MATH2230.

7.    Use computer software to perform modeling and analysis of dynamic systems

8.    Use technical literature and other information sources to treat with a wide range of engineering problems.

 


 


Course Staff

Position/Role

E-mail

*

  Phone

(

Office

Office

Hours

Brian Copeland

Lecturer

Brian.copeland@sta.uwi.edu

2199

323

tba

Clemént Imbert

Lecturer

clement.imbert@sta.uwi.edu

2199

 

Tba

Randall Ali

Lecturer & TA

randallali@gmail.com

3603

Steelpan lab

Tba

Denzil Fernandez

Tuner

 

Tba

Steelpan lab

Steelpan lab

 

3          Course Overview

3.1         Course Description

This course summarises and presents knowledge on various technological aspects of the steelpan musical instrument. The major technologies that impact on the instrument are acoustics, mechanical vibration, metallurgy, physical structure and signal analysis. It is assumed that students have attempted and passed ECNG 3031 Engineering & Technology for Acoustics & Music, and/or MENG 2003 Mechanical Vibrations. A musical background is not assumed.

 

The course starts off by providing an introduction to steelpan music history as presented by Dr Kim Johnson.  Next the course delves into the engineering and technology of the instrument: metallurgy, geometry, vibration characteristics, construction.  Every student is expected to fabricate and tune their own pan. Other topics include the manufacturing process, including a discussion on the types of metallurgical properties required for different instrument characteristics, the modal properties of the instrument and the dynamics of the stick impact. The course ends with a look at significant recent developments.

 

A key component of the course is the steelpan tuning workshop which will be run on Thursdays 4-7pm. The first workshop starts on Week 2 of the Semester. All workshops will; be conducted by master tuner Denzil Fernandez. At the end of the course the student would have actually tuned their own pan. The project referred to below entails the fabrication of the pan and submission of a report on the process.

 

Workshop materials, inclusive of ear muffs, gloves, goggles and aprons, will be provided by the Faculty.

 

3.2         Course Rationale

Steelpan manufacture still exists primarily at the artisan level by individuals who have had little or no scientific training. The survival of the Caribbean steelpan industry hinges on lifting the knowledge of existing tuners and nurturing a new group of local tuners who are qualify ied in the sciences and the arts. In addition, the industry, if it is to survive must be backed by a core of competent researchers and technologists.

 

3.3         Course Aims

The aim of this course is to expose students to the various aspects of technology which impact on the manufacture and application of the steelpan.

 

3.4         Course Learning Outcomes

Upon successful completion of ENGR3000 students will be able to:

Cognitive Level

  1. Critically discuss the functions and main characteristics of the various steelpan components: playing surface, note layout, support web (inter-notes), notes, rim, skirt, stand and support attachment, and stick

Ap

 

 

  1. Discuss and describe the stages of manufacture of a typical steelpan and the metallurgical variations undergone during the various stages of manufacture

Ap

  1. Describe the tools used in steelpan manufacture

Ap

  1. Construct a Double Second Steelpan

Ap

  1. Competently discuss the musical nuances of current steelpans by referring to novel scientific performance measures.

Ap

  1. Discuss historical, current, and future technological trends in steelpan design and manufacture.

K,Ap, An

 


 

 

4          Course Assessment

4.1         Breakdown of Assessment Artefacts

 

Element

Required to pass course

Total Weighting %

No. of Assessment Artefacts

Final Examination

YES

40 %

1

Steelpan Manufacture Project

YES

60%

1

TOTAL

 

100%

2

 

 

 

 

4.2         Linkage of Assessment Artefacts to Course Learning Outcomes

Assessment Artefact

Weight %

Details

(e.g. type - written, oral, practical; duration)

LO1

LO2

LO3

LO4

LO5

LO6

 

 

Final Exam

þ

þ

þ

o

þ

þ

40%

o 1hr    o 2 hr    þ 3hr

Project

þ

þ

þ

þ

o

o

60%

Demonstration of instrument constructed by student

 

 

 

5          Course Delivery

5.1         Schedule and Venue

Component

Schedule

Venue

Lecture

TBA

TBA

Manufacture Workshop

TBA

TBA

Project

TBA

TBA


 

5.2         Target Delivery Schedule

Week

Lecture

Other Activities

 

Topics

Learning Resources

1

Thur 27 Jan

 

3hr

Introduction                                                                                                    

i.         Introduction

ii.       History and Development of the Steelpan

iii.     Steelpan Structure – its “component parts”

iv.     The steelpan family, including the new G-Pan and variants like the Hang

 

B Copeland, Kim Johnson

Notes and PPT slides by

 

Fri 28 Jan

 

2hr

The Steelpan Manufacturing Process                                                          

i.        Preparation Stage: Sinking, grooving, heat treatment, tools

ii.      Tuning Stage: Note shaping, tuning, tools

iii.    Finishing Stage: Coatings, blending

 

Clement Imbert

 

Video – Herman “Guppy” Brown

 

3hr

Drafting the sinking guide

Sinking

Fernandez

Tuning Workshop

2

2hr

Steelpan Note Layouts

i.          Note layout for good consonance and playability

ii.        The mathematics of note layouts

Copeland

 

3hr

 

Drafting the sinking guide

Sinking

Fernandez

Tuning Workshop

3

2hr

Steelpan Metallurgy

i.        Metallurgical properties of steel: alloy composition, stress/strain relationships, phases, crystalline and grain structure

ii.      Changes in metallurgical structure in the steelpan manufacturing process

Other Materials

Imbert

 

3hr

Drafting the arrangement of notes

Shaping the note areas

Grooving the notes

Fernandez

Tuning Workshop

4-6

6hrs

Stick Technology

i.        Simple model for stick impact and response

ii.      Hertzian Model for stick impact and response

Key stick parameters

Copeland

 

9 hr

 (week 4)

Grooving the notes (continued)

Leveling the notes and web

 (week 5)

Cutting the drum

Cleaning the pan

(week 6)

Lifting the notes

Flexing the notes

Coarse mono-tuning using whole-tone sequence

 

Fernandez

Tuning Workshop

7

2hrs

Steelpan design for Acoustic Radiation

i.        Sound Intensity Basics

ii.      Typical radiation patterns

iii.    Analysis of Tube and Helmoltz designs

Ali

 

3hr

Coarse mono-tuning (continued)

Fine mono-tuning using whole tone sequence

Fernandez

Tuning Workshop

8

2 Hr

Quality of Performance Issues

i.        Harmonic to Noise Ratio

ii.      Inharmonicity

iii.    Measurements of Modes of Vibration

Spectrum Analysis

Ali

 

3hr

Tempering the pan

Leveling notes

Fernandez

Tuning Workshop

9

2 hr

Coarse di-tuning using whole-tone sequence

Fine di-tuning using whole tone sequence

Fernandez

 

3hr

Coarse di-tuning using whole-tone sequence (continued)

Fine di-tuning using whole tone sequence (continued)

Fernandez

Tuning Workshop

10

6hr

 Triple tuning (in freq ratio 1,2,3)

Triple tuning (in freq ratio 1,2,4)

Fernandez

Tuning Workshop

12

6Hr

Pan Fabrication Report

 

 


6          Resources

6.1         Required Readings     

1.      Ulf Kronman.  Steelpan Tuning. The most up-to-date version is online at http://www.smus.se/musikmuseet/pan/tuning/

 

6.2         Recommended Readings

2.      Neville H. Fletcher, Thomas D. Rossing, The Physics of Musical Instruments. 2nd edition (August 1998) Springer Verlag; ISBN: 0387983740

 

3.      Thomas D. Rossing, The Science of Percussive Instruments, World Scientific Publishing Company; 1st edition (January 15, 2000), ISBN: 9810241585

 

4.      Thomas D. Rossing and Neville H. Fletcher, Principles of Vibration and Sound, Springer-Verlag; 2nd edition (January 1, 2004), ISBN: 0387405569

 

5.      Bart Hopkin, Musical Instrument Design – Practical Information for Music Making, See Sharp Press, Tucson, Arizona, 1996

 

6.      Selected Journal and Conference Papers

 

7.      Notes: Course Website: http://www.eng.uwi.tt/depts/elec/staff/copeland/

 

6.3         Other Resources[4]

Course Notes:  

These will be made available as necessary. Course notes will be the primary source of information for this course

 

On-Line Resources:  

1.      Acoustics (animations) & modal patterns: http://www.kettering.edu/~drussell/demos.html

2.      Excellent source for music acoustics: http://www.phys.unsw.edu.au/music/basics.html


 

7          Student Conduct

7.1         Student Attendance

Rule 7 (d) in The Faculty of Engineering: Undergraduate Regulations 2008-2009:

 

“In order for a student to qualify for credit and/or final examination of a course, the student would have had to have a minimum of 75% attendance for that course.”

 

7.2         Extended Absence from Class

Please note the University’s policy on absence from class as documented in Examination Regulations for First Degrees, Associated Degrees, Diplomas and Certificates 2006/2007:

 

31.  Any candidate who has been absent from the University for a prolonged period during the teaching of a particular course for any reason other than illness or whose attendance at prescribed lectures, classes, practical classes, tutorial, or clinical instructions has been unsatisfactory or who has failed to submit essays or other exercises set by his/her teachers, may be debarred by the relevant Academic, on the recommendation of the relevant Faculty Board, from taking any University examinations.  The procedures to be used shall be prescribed in Faculty Regulations.

 

33.  (ii)  In cases of illness the candidate shall present to the Campus Registrar…a medical certificate, as proof of illness, signed by the University Health Officer or by another medical practitioner approved for this purpose by the University.  The candidate shall send the medical certificate within seven days from the date of that part of the examination in which performance of the candidate is affected.  A certificate received after this period will be considered only in exceptional circumstances.  

 

7.3         Missed Coursework Exams Policy

Rule 10 in The Faculty of Engineering: Undergraduate Regulations 2008-2009:

 

“A student who is absent from written coursework tests for grave medical reasons, as prescribed in the University Regulations, shall be graded on the tests he/she has taken as if such tests constitute the full test requirement provided that the tests not taken constitute no more than 20% of the total mark for all the tests[5]. If the tests not taken constitute more than 20% of the total mark for all the tests, the candidate shall have to take make-up tests at a later date.”

 

7.4         Coursework Late Submission Policy

According to Rule 11 (b) in The Faculty of Engineering: Undergraduate Regulations 2008-2009, Students are required to submit coursework by the prescribed date.

 

7.5         Policy on Re-Use of Previous Coursework Grade

Rule 11 (a) in The Faculty of Engineering: Undergraduate Regulations 2008-2009:

 

“Students who fail the examination in any course, but pass the coursework may be exempted from redoing only those sections of the coursework comprising laboratory experiments, workshop and/or field exercises.”

 

 

7.6         Statement of Academic Honesty

Academic dishonesty has grave consequences which may include receiving “no grade” on the assignment, debarment from class, or even expulsion from the University.  Academic dishonesty is a serious offense which should not be taken lightly.  Cheating and plagiarism are both forms of academic dishonesty.    Rule 32 in The Faculty of Engineering: Undergraduate Regulations 2008-2009:

 

“ Cheating, Plagiarism and Collusion are serious offences under University Regulations. 

(a)        Cheating is any attempt to benefit one's self or another by deceit or fraud.

(b)        Plagiarism is the unauthorised and/or unacknowledged use of another person's intellectual efforts and creations howsoever recorded, including whether formally published or in manuscript or in typescript or other printed or electronically presented form and includes taking passages, ideas or structures from another work or author without proper and unequivocal attribution of such source(s), using the conventions for attributions or citing used in this University. Plagiarism is a form of cheating.

(c)        For the purposes of these Regulations, ‘collusion’ shall mean the unauthorised or unlawful collaboration or agreement between two or more students in the preparation, writing or production of a course assignment for examination and assessment, to the extent that they have produced the same or substantially the same paper, project report, as the case may be, as if it were their separate and individual efforts, in circumstances where they knew or had reason to know that the assignment or a part thereof was not intended to be a group project, but was rather to be the product of each student’s individual efforts.

Where two or more students have produced the same or substantially the same assignment for examination and assessment in circumstances that the assignment was to be the product of each student’s individual efforts, they shall receive a failing grade in the course.

 

According to the University of the West IndiesCode of Principles and Responsibilities for Students, a student may appear before a disciplinary committee for the following misconduct: “Item 5. Presentation of the work of any other person as a student's own work.  This includes plagiarism from unpublished and/or electronic sources.”

 

 

Every student submission made to the Department of Electrical and Computer Engineering is subject to examination through an electronic plagiarism checker.

 


 

8.1         Blooms’ Cognitive Verbs Appropriate for Technical Topics

Level

Group

Verbs

Knowledge

 

 

 

Recognize

label, name, recognize, recall, underline, identify, select

 

List

list, record, repeat, reproduce, state, outline

 

Describe

define, describe,

 

Match

arrange, match, order, relate

Comprehension

 

 

Locate and classify

arrange, classify, identify, indicate, locate, sort

 

Explain

discuss, explain, express, give examples, report, summarize, describe

 

Translate

convert, interpret, paraphrase, restate, translate

 

Interpolate

interpolate, infer

 

Extrapolate

extend, extrapolate, generalize

Application

 

 

 

Prepare

choose, prepare, schedule, select, sketch, construct

 

Use

apply, change, employ, manipulate, modify, operate, use, utilize

 

Practice

demonstrate, execute, illustrate, practice, show

 

Resolve

compute, measure, solve

Analysis

 

 

 

Analyze and test

analyze, appraise, calculate, elicit, examine, experiment, question, test

 

Categorize

breakdown, categorize,  diagram, inventory, outline, separate, subdivide

 

Discriminate

compare, differentiate, distinguish, discriminate, reconcile

Synthesis

 

 

 

Plan

collect, plan, propose

 

Create

compose, create, design, devise, formulate, generate, set up, tell, write

 

Construct

arrange, assemble, construct, combines, compiles, manage, organize, synthesize, set up

 

Rearrange

modify, rearrange, reconstruct, reorganize,  revise, rewrite

Evaluation

 

 

 

Assess

assess, conclude, estimate, predict, rate, score

 

Evaluate

attack, criticize, critique, evaluate, value

 

Defend

argue,  defend, justify, support

 

 

 

 

 



[1] Estimate includes teaching time, study time, and student preparation time for classes and labs.

[2] Include any Co-requisites, Post-requisites, or Forbidden course combinations with respective code (C/P/F).

[3] Lecturers can state course input requirements in terms of student behaviours (See Bloom’s Taxonomy – Appendix).

[4] Include any other student resources required (e.g. software packages, hardware, etc.)

[5] 20% of entire course weighting.